D < > Janet Dale Timothy Dalton Charles Dance The Dance of Death Ron Daniels The Danton Affair Nick Darke Daughter of the Air Shaun Davey Alan David Howard Davies Rudi Davies Daniel Day-Lewis Days in the Trees Days of the Commune The Dead Monkey Nick Dear Deathwatch/The Maids Thomas Dekker Robert Delamere A Delicate Balance Frances de la Tour Robert Demeger Jeffery Dench Judi Dench The Desert Air Desire Under the Elms Destiny The Devil is an Ass The Devil's Disciple The Devils Ann Devlin Es Devlin Mark Dignam Stephen Dillane The Dillen Lisa Dillon Dingo The Dispute Divine Gossip Joe Dixon Doctor Faustus Dr Jekyll and Mr Hyde The Dog in the Manger Monica Dolan A Doll's House Don Carlos Donmar Warehouse Declan Donnellan Gregory Doran Simon Dormandy Roy Dotrice John Dougall Wayne Dowdeswell Downchild Penny Downie Kevin Doyle A Dream of People Dreamplay Amanda Drew Darrell D'Silva Kate Duchêne The Duchess of Malfi Duck Song William Dudley The Dumb Waiter Lindsay Duncan Jeremy Dunn Marguerite Duras Friedrich Dürrenmatt Susan Dury Dutch Uncle The Dybbuk Charles Dyer Chris Dyer		Robert Delamere Robert Delamere started to direct at Hull University. On graduating he formed his own company, Ragazzi, and found a niche by concentrating on obscure Spanish and Latin American plays: Lorca's Buster Keaton's Spin, The Puppet Play of Don Cristobal and The Shoemaker's Wonderful Wife, Carlos Muniz's The Inkwell, and Maria Benedetti's Peter and the Captain (all Ragazzi Theatre Company, BAC, 1990). His subsequent choices have been interestingly diverse, although new plays, particularly from Ireland, have dominated: Jane Eyre (Sheffield Crucible, 1992); The Crucible (Sheffield Crucible, 1993); Julius Caesar (Manchester Royal Exchange, 1994); Tartuffe (Manchester Royal Exchange, 1995); Happy Valley (Foundry, Liverpool Everyman, 1997); Gary Mitchell's In a Little World Of Our Own (Foundry, Donmar Warehouse, 1998); Mitchell's The Force of Change (Royal Court, 2000); The Playboy of the Western World (Liverpool Playhouse, 2001); The Accidental Death of an Anarchist (Donmar Warehouse, 2003); Stephen Adley Guirgis's In Arabia, We'd All Be Kings (Hampstead Theatre, 2003); Sebastian Barry's Whistling Psyche (Almeida, 2004); Darwin in Malibu (Hampstead Theatre, 2004); Peter Whelan's Earthly Paradise (Almeida, 2004); Owen McCafferty's Shoot the Crow (Trafalgar Studios, 2005); On the Third Day (New Ambassadors, 2006). At the RSC he has directed Whelan's A Russian in the Woods (TOP, 2001, Pit, 2002), and the Elizabethan rarity Thomas Moore (Swan, 2005, Trafalgar Studios, 2006).	Director, b. Liverpool Education: Hull University RSC: Joined 2001 Productions: A Russian in the Woods, Peter Whelan (TOP, 2001/Pit, 2002); Thomas Moore, Shakespeare, Anthony Munday, Henry Chettle (Swan, 2005/Trafalgar Studios, 2006)
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		A Dictionary of the Royal Shakespeare Company by Simon Trowbridge | Copyright © Simon Trowbridge, 2003-06 | HOME