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> Cain John Caird Jonathan Cake David Calder Pedro Calderón de la Barca Michael Calf Camille Camino Real Cheryl Campbell Il Candelaio Can Opener The Canterbury Tales Captain Swing John Carlisle Jason Carr Carrie Nancy Carroll Elaine Cassidy The Castle The Caucasian Chalk Circle The Changeling Jan Chappell Ian Charleson Ian Charleson Awards Geoffrey Chaucer Paddy Chayefsky Anton Chekhov Nick Chelton The Cherry Orchard Children of the Sun Alison Chitty A Christmas Carol Christopher Columbus Tony Church Caryl Churchill The Churchill Play Clay Dennis Clinton A Clockwork Orange The Collection Patience Collier Columbus and the Discovery of Japan The Comedy of Errors Complete Works Festival Comrades Kerry Condon William Congreve Shelley Conn Paule Constable The Constant Couple Nina Conti Kandis Cook Ron Cook Dominic Cooke Nigel Cooke Richard Cordery Coriolanus Charlotte Cornwell Oliver Cotton Yvonne Coulette Country Dancing The Country Wife Courtyard Theatre Cousin Vladimir Andrea J. Cox Brian Cox Claire Cox Cries from the Casement Crimes in Hot Countries The Criminals Derbhle Crotty Bob Crowley The Crucible Frances Cuka Paddy Cunneen Liam Cunningham Julian Curry Curse of the Starving Class Curtmantle Cyril Cusack Niamh Cusack Sinéad Cusack The Custom of the Country Cymbeline Cyrano de Bergerac |
Cheryl
Campbell The daughter of a pilot, Cheryl Campbell worked at the Watford Palace Theatre, the Birmingham Rep and the Glasgow Citizens' before coming to notice in 1975 at the National (Old Vic) as Freda in the Ralph Richardson/Peggy Ashcroft/Wendy Hiller John Gabriel Borkman (Peter Hall) and Maggie in W.S. Gilbert's Engaged (Michael Blakemore). Blonde, pallid and emotionally wrecked, she played the rural schoolmistress in Dennis Potter's Pennies from Heaven (Piers Haggard, BBC, 1978), followed by Sarah Bernhardt in Lillie (ITV, 1978) and Vera Brittain in Testament of Youth (Moira Armstrong, BBC, 1979, BAFTA for Best Actress). In 1981 she joined the RSC and was a startlingly provocative Nora in The Doll's House (Adrian Noble, TOP, Pit, SWET Best Actress Award) and a coquettish Diana to Harriet Walter's Helena in All's Well That Ends Well (Trevor Nunn, RST, Barbican). She was next at the Lyric Hammersmith, playing the title role in Miss Julie (1983, also Duke of York's). In films she played Sheila McVicar in McVicar (Tom Clegg, 1980), Sister Monica in Hawk the Slayer (Terry Marcel, 1980), Jenny Liddell opposite Ian Charleson in Chariots of Fire (Hugh Hudson, 1981), Lady Aline Hartlip in The Shooting Party (Alan Bridges, 1984), and the shipwrecked Lady Alice Clayton in Greystoke (Hudson, 1984). She has worked less prominently since, mostly on the stage: Asta in Little Eyolf (Lyric Hammersmith, 1985); the title role in The Daughter-in-Law (Hampstead Theatre, 1985); Margery Pinchwife to Gary Oldman's Horner in The Country Wife (Nicholas Hytner, Manchester Royal Exchange, 1986-87); Michael Frayn's Chekhov selection The Sneeze (Ronald Eyre, Aldwych, 1988); Constance in Somerset Maugham's The Constant Wife (Lucy Parker, Theatr Clwyd, 1990); Blanche in A Streetcar Named Desire (Leicester Haymarket, 1990); Emma in Harold Pinter's Betrayal (David Leveaux, Almeida, 1991); Phyllis Nagy's The Strip (Royal Court, 1995); Lady Wouldbe in Volpone (Matthew Warchus, NT Olivier, 1995); Arthur Miller's The Last Yankee (Michael Grandage, Mercury Theatre, Colchester, 1996); Emily in Some Sunny Day (1996); Arkadina in The Seagull (Stephen Unwin, English Touring Theatre, Tour and Donmar Warehouse, 1997); Peter Nichols's Passion Play (Michael Grandage, Donmar Warehouse, 2000); Hannie Rayson's Life After George (Michael Blakemore, Duchess Theatre, 2002); and Michael Frayn's Noises Off (Jeremy Sams, NT Piccadilly, 2003). She returned to the RSC for the 1992-94 cycle and played Mistress Ford in The Merry Wives of Windsor (David Thacker, RST); Beatrice-Joanna in The Changeling (Michael Attenborough, Swan, Pit); Natasha in Misha's Party (David Jones, Pit); and Lady Macbeth opposite Derek Jacobi in Macbeth (Noble, Barbican, RST). Other television work includes Princess Beatrice in Edward VII (1975); Malice Aforethought (BBC, 1980); The Seven Dials Mystery (ITV, 1982); Dennis Potter's Rain on the Roof (Alan Bridges, ITV, 1980); Eva Jackson in Alan Ayckbourn's Absurd Person Singular (1985); the Miss Marple mystery Murder at the Vicarage (BBC, 1986); an episode of Boon (ITV, 1990); an episode of Inspector Morse called 'Infernal Serpent' (ITV, 1990); The Casebook of Sherlock Holmes (ITV, 1990); Nigel Williams's Centrepoint (Piers Haggard, 1990); the Ruth Rendell Mystery Means of Evil (ITV, 1991); Winnie to David Suchet's Verloc in The Secret Agent (1992); Bessy Tulliver in The Mill on the Floss (Graham Theakston, BBC, 1997); The Way We Live Now (BBC, 2001); Foyle's War (ITV, 2002); Mick Ford's William and Mary (ITV, 2003). |
Actress, b. St Albans, 1949 Education: Francis Bacon Grammar School, St Albans; London Academy of Music and Dramatic Art RSC: Joined 1981 Seasons: 1981 (Strat.)-82 (Lond.); 1992 (Strat.)-93/94 (Lond./Strat.) |
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| A Dictionary of
the Royal Shakespeare Company by Simon Trowbridge | Copyright ©
Simon Trowbridge, 2003-04 |
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