B < > Baal Babies Grow Old Back to Methuselah Bad Weather George Baker Sean Baker The Balcony Bandits Teresa Banham Barbarians Frances Barber The Barbican Howard Barker Peter Barnes Desmond Barrit Bartholomew Fair John Barton Linda Bassett Bastard Angel Alan Bates Simon Russell Beale Sean Bean The Beast Maureen Beattie Francis Beaumont Beauty and the Beast The Beaux' Stratagem Becket Samuel Beckett Beckett Shorts The Beggar's Opera Brendan Behan Katy Behean Aphra Behn Belcher's Luck Believe What You Will Christopher Benjamin Paul Bentall John Berger Sarah Berger Cicely Berry Suzanne Bertish Kirsty Besterman Paul Bettany The Bewitched Bingo Birdsong The Birthday Party The Bite of the Night Colin Blakely Claudie Blakley Marjorie Bland Brian Blessed The Blue Angel The Body Michael Bogdanov Robert Bolt Edward Bond Samantha Bond Ken Bones Hugh Bonneville Laurence Boswell John Bott Dion Boucicault John Bowe Raymond Bowers Robert Bowman Stephen Boxer Michael Boyd Danny Boyle David Bradley John Bradley Cathryn Bradshaw Kenneth Branagh Brand Breaking the Silence Bertolt Brecht Howard Brenton David Brierley The Bright and Bold Design Stephen Brimson Lewis Jasper Britton Brixton Stories Jim Broadbent The Broken Heart Richard Brome Peter Brook Siân Brooke Brooklyn Academy of Music Bille Brown Susan Brown Brenda Bruce Emily Bruni Giordano Bruno Robert Bryan Georg Büchner Mikhail Afanaseyev Bulgakov Edward Bulwer-Lytton The Bundle Anthony Burgess Alfred Burke Alan Burrett John Bury Judy Buxton Patsy Byrne Lord Byron		Sean Baker Sean Baker's early theatre work included the National's 1980/81 season: Ballad Singer in The Life of Galileo (John Dexter, Olivier); Apprentice in Thomas Dekker's The Shoemakers' Holiday (Dexter, Olivier); and Chorus in The Oresteia (Peter Hall, Olivier). An often chillingly puritanical figure (on the stage), he was at the RSC from 1985 to 89: Pyotr Vasilyevich in Gorky's Philistines (John Caird, TOP, 1985, Pit, 1986); Paris in Troilus and Cressida (Howard Davies, RST, 1985, Barbican, 1986); Chevalier Danceny in Christopher Hampton's Les liaisons dangereuses (Davies, TOP, 1985, Pit, 1986); Barnes' People (TOP, 1985); Sebastian Brückner in Mephisto (Adrian Noble, Barbican, 1986); Rainer Werner Fassbinder's Blood on the Neck of the Cat (Alan Rickman, fringe festival production, Almeida, 1986); Ernesto Pico in Richard Nelson's Principia Scriptoriae (David Jones, Pit, 1986); Cassius in Julius Caesar (Terry Hands, RST, 1987, Barbican, 1988); Giles Pearson in Heidi Thomas's Indigo (Sarah Pia Anderson, TOP, 1987); Hippolito in The Revenger's Tragedy (Di Trevis, Swan, 1987, Pit, 1988); Angelo in Measure for Measure (Nicholas Hytner, RST, 1987); Shade in Howard Barker's The Bite of the Night (Danny Boyle, Pit, 1988); Lawrence/Ted in Stephen Lowe's Divine Gossip (Barry Kyle, Pit, 1988); Peter Reese/A Black Dog in Howard Brenton's The Churchill Play (Kyle, Barbican, 1988); and Cassio in Othello (Trevor Nunn, TOP and Young Vic, 1989). Appearances since 1990: Leontes in The Winter's Tale (Phyllida Lloyd, Manchester Royal Exchange, 1991); Ball in Howard Barker's Victory (Greenwich Theatre, 1991); Stefano in The Tempest (Michael Bogdanov, English Shakespeare Company, Tour, 1992); Krogstad in Ibsen's A Doll's House (Stephen Unwin, English Touring Theatre, 2004); Arnholm in Ibsen's The Lady from the Sea (Lindsay Posner, West Yorkshire Playhouse and Lyric Hammersmith, 1994); Frans Hals in John Constable's Tulip Futures (Abigail Morris, Cockpit, 1994); Krak in Howard Barker's The Castle (Kenny Ireland, The Wrestling School, Riverside Studios and Tour, 1995); Timberlake Wertenbaker's Our Country's Good (Caroline Hall), Brecht's The Caucasian Chalk Circle (Gerard Murphy), and Claudius in Hamlet (Ireland, Royal Lyceum, Edinburgh, 1995); the Duke in Measure for Measure (Stéphane Braunschweig, Edinburgh Festival and Nottingham Playhouse, 1997, Barbican, 1998); Freud in Terry Johnson's Hysteria (Joanna Read, Octagon Theatre, Bolton, 1998); Pastor Manders in Ibsen's Ghosts (David Hunt, Theatre Royal, Plymouth, 1999); Ash in Patrick Marber's Dealer's Choice (Angus Jackson, Clwyd Theatr Cymru, 2002); the Cardinal Inquisitor in Brecht's The Life of Galileo (David Salter, Battersea Arts Centre, 2002); Andrew Marvell in Oliver Ford Davies's King Cromwell (Sam Walters, Orange Tree, 2003); John Steinbeck's Of Mice and Men (Jonathan Church, Birmingham Rep company, Old Vic, 2004); and Jean Anouilh's Becket (John Caird, Theatre Royal Haymarket, 2004).	Actor RSC: Joined 1985 Seasons: 1985 (Strat.)-86 (Lond.); 1987 (Strat.)-88 (Lond.); 1989 (Strat./Lond.)
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		A Dictionary of the Royal Shakespeare Company by Simon Trowbridge | Copyright © Simon Trowbridge, 2003-04 | HOME